Of all the great sculptors of the second half of the 19th century, Jean-Baptiste Carpeaux is probably one of the best known and his name evokes in the minds of many a sculpture in bronze, marble or terracotta seen at auction, in a gallery, at Drouot or in a museum.

 

His beginnings

 

Jean-Baptiste Carpeaux was born in 1827 in Valenciennes in a working class family particularly poor. Son and grandson of a mason, he joined early on as an apprentice to a master plasterer, training applicant to know how to draw, is enrolled in the Academy de Peinture, Sculpture et Architecture in Valenciennes. In 1838 he moved to Paris and took courses at the Ecole Gratuite drawing, also called Petite Ecole, until 1843.

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Older than 60 years, this buffet-sideboard is part of the French history. It was produced at the request of the Ministry of War to equip the interiors of the victims of the 2nd World War. Brief overview of this highly functional piece of furniture which lays the foundations of design.

 

Before IKEA

 

Designed by René Gabriel, a leading French designer furniture specialist in series, this piece of simple structure devoid of ornament, is a simple buffet, both chest of drawers and armoire. It fits into many apartments just after the war in late 1940/early 1950. These homes, rebuilt in the emergency from Orleans to Le Havre, sheltered the victims to whom this buffet was sold at a very symbolic price.

 

A successful design

 

In the history of furniture, this is perhaps one of the first pieces of furniture in France to truly answer the fundamental principles of Design: objects with simple shapes and useful for the many.

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On July 20, the National Assembly passed a law reforming and liberalizing public auction in France. The implementing decree came into force on 1 September and museums are the primary beneficiaries.

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On June 28, Bonhams London organized an auction of pendulums, clock and regulators of great quality. The lot 81 held our attention. It is an important French clock dating from the revolutionary period by François-Joseph Hartmann comprising several dials sold with the buyer premium for the sum of £322 400 (approximately 400.000 Euros).

Let’s have a closer look on this clock which will interest clocks lovers as much as the decorative art specialist.

 

The clock

 

An ormolu automat clock, the central part including eight dials is surmounted by a victory holding a trumpet. The dials are separated by flowers and fruits. It is flanked of two columns of helicoids forms overcome by a finished bulb and leaves. The oval base presents a rich ornamentation of stylized lotus leaves on the front.

It rests on six small feet spinning tops.

 

The eight dials include :

-a Republican and Gregorian complete calendar including the seasons.

-the phases of the moon.

-the hour of the rising and laying down sun.

-the equation of time.

-the hour in several world capital.

-the Zodiac signs.

 

The clock is signed Hartmann and the dials enamels Coteau.

 

It can be dated circa 1800.

 

It is rare to find at that time clocks giving the hour to several places of the sphere, 53 in our case, such as San Salvador, Quebec, Mexico City, Goa or Moskou.

 

This clock belongs to the collections of a European family for more than a century; it was preserved in a wall cupboard to prevent it from damages. The purchase date is unknown, around 1800 or later in the 19^th century.

 

 

Francois-Joseph Hartmann

 

Few things are known on the beginnings of our clock and watch maker, Hartmann or Hartemann. According to the clocks that he produced we think that it began its activity at the late 18th century in Paris. During the first third of the 19th century, he is “horloger mécanicien pour l’Observatoire et la Marine”. We know several clocks with complications and multiple dials by Hartmann and was therefore a very skilled clock maker. In October 1793, it rented an flat and a shop rue des Viarmes and in 1814 bought the hotel of Italy with its furniture, located rue Saint Eustace for the sum of 9.500 francs.

 

Our clock maker took part in the second public exhibition of the products of the French industry in 1801. Its clock is recorded among the works exposed under the 63e “portiques”, there were 104 of them. It presents a clock with eight dials and received a honourable mention for “une pendule a hit cadrans, d’un travail soigne. Elle marque le lever, le coucher du soleil, les phases de la lune, &c”.

Taking into consideration these element, it is doubtless our clock.

 

 

Joseph Coteau

 

Born in Geneva in 1740, he becomes Master painter-enameller of the Academy of Luc Saint of Geneva in 1766 and settles in Paris a few years later. In 1772, it settles rue Poupée and remains there for the rest of his life in 1801. His name is attached to an enamel technique in relief which he develops with Parpette on some Sevres porcelain in particular the service of toilet of the Tsarina Maria Feodorovna and which he uses thereafter to decorate the enamels dials of clocks.

 

He remains the most known and most famous of the enamellers of the end of the 18th century and collaborated with the majority of the best clock and watch makers of this time. We frequently find his name painted on the back of the enamelled dials of the pendulums and clocks with multiple dials or complications.

 

A six figures bid justified for this exceptional clock in its model of a very great originality and a particularly neat mechanism. Also let us underline that this clock was unknown from the market since it was preserved in the same family for more than one century.

 

Each month, we organise auctions of fine continental furniture, antique clocks and works of art with our network of auctioneers. We invite you to contact us if you wish to include lots in our future sale. Valuations are free for auction.

 

If you need an appraisal for sale, insurance or inheritance, please contact us.

 

Cedric Henon, Continental furniture and works of art specialist.

 

Illustrations : Courtesy of Bonhams, Copyright © 2002-2011 Bonhams 1793 Ltd

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June 22, a painting by Austrian expressionist Egon Schiele was sold by Sotheby's London more than 27 million euros ($40 million), multiplying by almost two the previous record held by Schiele in 2006. An exceptional work of art by both the subject and by the evidence she left in history.

 

A Museum Piece

 

«Häuser mit bunter Wäsche (Vorstadt II) » was sold by the Leopold Museum in Vienna, which now houses the largest collection of works by the artist but also many treasures of the Viennese Art Nouveau or the Wiener Werkstätte.

 

Known for his portraits and nudes, Egon Schiele makes this landscape in 1914, when he is at the top of his art. A rarity in the short career of the artist, who died at age 28.

 

Sotheby’s London – 22 June 2011 Impressionist & Modern ArtEvening Sale Egon Schiele Häuser mit bunter Wäsche, “Vorstadt” II, 1914 100.5 x 120.5cm, Courtesy of Sotheby's

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For the last 20 years, the primitive art market is booming. The auction sales come and go, particularly since 1990, marked by the sale of a statue Bangwa (northern Cameroon) belonging to the former Helena Rubinstein collection for the astronomical price of 3.41 million ... The good results recorded by Christie's and Sotheby's this year confirms the growing interest in this market, which nevertheless remains quite heterogeneous.

 

For a sculpture to sell thousands or even millions of euros, it must fulfill some major requirements: the work must of course be rare, it

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Water damage, theft, falling ... are some damages, sometimes irreversible, that may be subjected objects. To avoid unpleasant surprises, the owner of artwork can subscribe to a specific insurance policy for its most valuable items. It will be for him, disaster, guaranteed to be fast, and fully refunded.

 

How to choose the right policy

 

First, you must know that the comprehensive home insurance policies do not fit traditional art objects and collectibles because they do not take into account the particularity of each object and the evolution of its price. Moreover, they are often capped. April Insurance believes that "from €3,000 worth in works of art, home insurance is not enough”.

 

If stolen, the insured must prove the existence and ownership of the painting that he was robbed and should also justify its price. However, it is not uncommon for the owner to no longer have the invoice or that it was a present.

 

To avoid such situations, the owner of furniture, paintings or jewelry can subscribe to his broker a contract to better protect its work of art. Three major companies share the market: Axa Art, Generali and Hiscox who offer their policyholders appropriate contracts. These specific policies have become available. For example, you should know that ensuring the artwork is less expensive that ensuring computers.

 

A Professional appraisal

 

The owner may make himself an inventory of its valuables and report their value. We will speak here of "declared value".

 

But the use shows that the owner tends to overstate the value of its property and therefore have a tendency to over-insure ". In addition, the company does not guarantee to repay the amount of the declared value because it considers that all costs must be justified.

 

To avoid litigation, companies advise the owner to hire an expert to define in advance the insurance value of each object. With the expert, there will be no doubt about the authenticity and value. Items will be insured at fair prices. The "Agreed Value" also known as replacement value, will be the reference for refund in case of total loss. In this case, the policyholder is certain to be repaid in full.

 

This descriptive inventory and estimate is an important document. It may be useful in many other situations. As part of an estate, for example, facilitate the sharing among various heirs. As part of a sale, it will serve as objective reference to define the reserve price of the item for sale.

 

How much does it cost?

 

Usually for a capital estimated of 250 000 €, the premium will be 1500 €. After five years, the value of objects will be updated often graciously ensuring the reference values ​​for ten years.

 

The premium of the insurance policy will depend on the other hand of a number of factors: the nature of the insured property, the agreed value, or place of storage (primary residence or second home) ... For 250 000 € value including valuables, furniture and

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